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PROJECTS
WE THE PEOPLE (OF CALIFORNIA AVE)
This project was created by me for and inserted in what is regionally
known as a medium size shopping and dining street in Palo Alto with
a still unique and somewhat 'old-fashioned' character and quality.
For me, this We the people project was based on my basic understanding
that any place in large part is as it is, because of how it continually
gets to be created through the choices of the people that share and use it; not
only by those in official positions but also, and maybe even more importantly
so, by how all people 'unofficially' use and relate to a place.
I was interested in working with this for me local urban area in particular because
of its distinct identity that always seems on the cusp of some upcoming change,
and specifically to make visible the 'us', the often so 'invisible' and untapped
people presence on which places depend.
This particular area might seem to primarily be ('merely') a commercial use area,
and secondarily maybe a local transit corridor for people on the way to pass
through, to go somewhere nearby. In its general use, it is however as any shared
place: a place of value exchange and transaction, a site of personal experience,
desire, and production of meaning. This is what I, as an artist wanted to tap
in to, make visible, comment on, and participate in. Art is my discipline and
it is all about meaning.
The project title refers to the first version of the American constitution, as
drawn up in 1787, being a corner stone of the early designs for a new and independant
America, that famously starts with "We
the People of the United States" (", in Order to form a more perfect
Union, ... do ordain and establish this Constitution for the United States of
America ... "). Aside from how representative this 'We" was at the
time, of all those present in the region, this text is a powerful piece of the
American identity that I decided to relate to, and make relevant on a local scale.
In this project I, with a few volunteers, related to, listened to, and photographically
portrayed some of the random people encountered in this little piece of America.
The resulting photos and quotes were edited and arranged by me into one daily
expanding digital slide show, that was backlit projected each evening on a large
storefront-wide screen. The visible slide show temporarily 'living' and growing
on the facade made the anonymous participants a part of the local architecture,
gave those people we met in the street an almost physical and enduring presence,
and linked them as collaborators in the providing of content to this part of
the world that was shared with their peers that happened to see it.
To be able to see the slde show projection it had to be at least somewhat dark
outside, so during the day it was only shown inside, on a smaller screen. A local
supermarket had donated drinks and snacks for the opening and there-after. Being
temporarily headquartered in an empty store space on the same street, part of
this project was to open up that space so it could function as an informal gathering,
meeting, and sharing place. It turned out there was interest in such an open
and community centered function without obvious agenda but to reflect on the
area. It was amazing to see people excited about their own portraits and those
of others, everybody seemed to know at least one of those people portrayed in
the show. Where else could you go and just be welcomed to be part of and reflect
on the street? Impulse walk-in visitors often added to the project 's growing
collection of portraits and testimonies. A street-specific poem was wriiten by
two walk-in teenage girlfriends on-site, which became a poster hung up in the
street.
A 'secret' and so far unfullfilled wish of mine is for some party to come forward
and say: "Here is the money for you to turn this space into a more permanent
art & worldmaking center with attention for local people and resources, as
well as for creative and interesting guests from beyond that can give lectures,
create exhibitions, lead workshops, or in other innovative ways can be sources
of vitalizing infusions, and so add to the present and future quality and continual
enrichment of this area. I feel every neighborhood should host at least one temporary
visiting artist (used in the widest sense) in residence each year. I can imagine
embedding or injecting such people in different ways in the local community,
one of them being through such a fixed local world-making and neighborhood-vitalizing
art base; another way would be to temporarily insert artists in existing local
institutions and businesses.
Although this local We the people project was originally going to be
shown for only the last few days of 2006, because of surprising community interest
and support it could be extended until mid January 2007, for a total duration
of three weeks.
The volunteers that helped in the making of photo portraits and gathering of
quotes along California Ave, or in the manning of the project space were:
Mira Datta & Nion, Patricia Griffin, Corinne Minor, Vera van Schijndel, and
Mike Schneer.
Organizational and material support was kindly given by:
Robert Perret / Java puri Bali, Ronna Devincenzi / CAADA (California Avenue Area
Development Association) / AK Realty, Terry Shuchat / Keeble
& Shuchat Photography, Justin Olson & Wendy Ju, Warren & Evelyn
Wong, JD Rai / Copy America, Jim Stevens / Country Sun, and the
Public Works department of the City of Palo Alto.
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OVERVIEW |
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Title: |
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We
the people (of California Ave)
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Place
& Dates: |
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Palo
Alto
393 California Ave, and the four
city block California Ave corridor between El Camino Real and
the California Avenue train station. |
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Dec.
29, 2006 - Jan. 15, 2007 |
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Project
consisted out of: |
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Engaging
and inviting people on California Avenue to have their photo
portrait taken and share any feedback concerning this street,
as content used in the project. Anyone who wanted to was also
welcome to participate in the same activity, and to submit
their photos and words.
The collected photographic and textual representations were
edited and arranged by me into image and text slides and
presented publicly in a daily growing slideslow.
After sunset this evolving 'silent movie' was digitally and
backlit projected on a large 10' x 8' screen that covered the
entire front of an empty store space, for a period of three
weeks.
During the day the slide show was projected on a smaller screen
inside the space which was open in the afternoons for people
to gather and talk.
Over a hundred people portraits and quotes have been collected
and included in the last version of this public
'movie' in progress. |
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